2020年度

音楽音響創造演習 2021年度

前期

2021-04-12
Hyunkook Lee. “Multichannel 3D Microphone Arrays: A Review.” Journal of the Audio Engineering Society, vol.69, no.1/2, pp.5–26. January/February 2021.
(DOI: 10.17743/jaes.2020.0069)
2021-06-07
Michael Vorländer. “Are Virtual Sounds Real?” Acoustics Today, vol.16, iss.1, pp.46–54. Spring 2020.
(DOI: 10.1121/AT.2020.16.1.46)
2021-06-21
Scott H. Hawley, Vasileios Chatziioannou, and Andrew Morrison. “Synthesis of Musical Instrument Sounds: Physics-Based Modeling or Machine Learning?” Acoustics Today, vol.16, iss.1, pp.20–28. Spring 2020.
(DOI: 10.1121/AT.2020.16.1.20)

後期

2021-10-11 伊藤 彰教
David Griesinger. “Perception of Concert Hall Acoustics in Seats Where the Reflected Energy is Stronger Than the Direct Energy.” In Proceedings of 122nd Convention, Audio Engineering Society. Vienna. May 2007.
(https://www.aes.org/e-lib/browse.cfm?elib=14073 / griesinger_200705.pdf)
2021-10-18 森永 実季
Matthias Frank. “How to make Ambisonics sound good.” In Proceedings of Forum Acousticum. European Acoustics Association. Kraków. September, 2014.
2021-10-18 / 2021-10-25 竹内 朗
Joe Wolfe. “The Acoustics of Woodwind Musical Instruments.” Acoustics Today, vol.14, iss.1, pp.50–56. Spring 2018.
(https://acousticstoday.org/acoustics-woodwind-musical-instruments/)
2021-10-28 向谷 萌絵
Robert Adlington. “Moving beyond Motion: Metaphors for Changing Sound.” Journal of the Royal Musical Association, vol.128, no.2, pp.297–318. 2003.
(https://www.jstor.org/stable/3557498)
2021-11-01 増田 安南
Michael Uwins.“Analogue Hearts, Digital Minds? An Investigation into Perceptions of the Audio Quality of Vinyl.” In Proceedings of 138th Convention, Audio Engineering Society. Warsaw, Poland. May 2015.
(http://www.aes.org/e-lib/browse.cfm?elib=17620 / uwins_201505.pdf)
2021-11-01 Fu Qi
Mike Barron. “The Current Status of Spatial Impression in Concert Halls.” In Proceedings of ICA 2004. International Congress on Acoustics. Kyoto, Japan. April 2004.
(https://www.icacommission.org/Proceedings/ICA2004Kyoto/sessionindex/AAS09.html#Th2.B1.1 / barron_200404.pdf)
2021-11-08 上原 崇寛
Paul Luizard and Nathalie Henrich Bernardoni. “Changes in the Voice Production of Solo Singers Across Concert Halls.” Journal of the Acoustical Society of America, vol.148, no.1, EL33. July 2020.
(DOI: 10.1121/10.0001524 / luizard_bernardoni_202007.pdf)
2021-11-15 伊藤 彰教
Louena Shtrepi, Arianna Astolfi, Gianluca D'Antonio, and Martin Guski. “Objective and Perceptual Evaluation of Distance-Dependent Scattered Sound Effects in a Small Variable-Acoustics Hall.” Journal of the Acoustical Society of America, vol.140, no.5, pp.3651–661. November 2016.
(DOI: 10.1121/1.4966267 / shtrepi_astolfi_dantonio_guski_201611.pdf)
2021-11-22 永野 響介
James R. Miller and Edward C. Carterette. “Perceptual Space for Musical Structures.” Journal of the Acoustical Society of America, vol.58, no.3, pp.711–720. September 1975.
(miller_carterette_197509.pdf)
2021-11-29 森永 実季
Xuan Lu, Sungyoung Kim, Miriam Kolar, and Doyuen Ko. “Perceptual Evaluation of a New, Portable Three-Dimensional Recording Technique: “W-Ambisonics”.” In Convention e-Brief, 151st Convention, Audio Engineering Society. October 2021.
(lu_kim_kolar_ko_202110.pdf)
2021-11-29 向谷 萌
Robert Russett. “Animated Sound and Beyond.” American Music, vol.22, no.1, pp.110–121. University of Illinois Press. Spring 2004.
(russett_2004.pdf)
2021-12-06 増田 安南
Ronald Mo, Ga Lam Choi, Chung Lee, and Andrew Horner. “The Effects of MP3 Compression on Perceived Emotional Characteristics in Musical Instruments.” Journal of the Audio Engineering Society, vol.64, no.11, pp.858–867. November 2016.
(DOI: 10.17743/jaes.2016.0031 / mo_choi_lee_horner_201611.pdf)
2021-12-06 上原 崇寛
Paul Luizard, Jochen Steffens, and Stefan Weinzierl. “Singing in Different Rooms: Common or Individual Adaptation Patterns to the Acoustic Conditions?.” Journal of the Acoustical Society of America, vol.147, no.2, EL132. February 2020.
(DOI: 10.1121/10.0000715 / luizard_steffens_weinzierl_202002.pdf)
2021-12-13 永野 響介
Hilmar Lehnert. “Auditory Spatial Impression.” In Proceedings of 12th International Conference, Audio Engineering Society. June 1993.
(lehnert_199306.pdf)
2021-12-13 Fu Qi
Masayuki Morimoto, Kazuhiro Iida, and Kimihiro Sakagami. “The Role of Reflections from Behind the Listener in Spatial Impression.” Applied Acoustics, vol.62, no.2, pp.109–124. February 2001.
(morimoto_iida_sakagami_200102.pdf)
2022-01-17 伊藤 彰教
J. S. Bradley, R. D. Reich, and S. G. Norcross. “On the Combined Effects of Early- and Late-Arriving Sound on Spatial Impression in Concert Halls.” Journal of the Acoustical Society of America, vol.108, no.2, pp.651–661. August 2000.
(DOI: 10.1121/1.429597 / bradley_reich_norcross_200008.pdf)


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