2021年度

音楽音響創造演習 2022年度

前期

2022-04-11
Colin E. Gough. “ Violin Acoustics.” Acoustics Today, vol.12, no.2, pp.22–30. Summer 2016.
(link / gough_2016.pdf)
2022-05-16
Neofytos Kaplanis, Søren Bech, Tapio Lokki, Toon van Waterschoot, and Søren Holdt Jensen. “Perception and preference of reverberation in small listening rooms for multi-loudspeaker reproduction.” Journal of Acoustical Society of America, vol.146, no.5, pp.3562–3576. November 2019.
(DOI: 10.1121/1.5135582 / kaplanis_bech_lokki_waterschoot_jensen_201911.pdf)
2022-06-27
Garima Sharma, Karthikeyan Umapathy, and Sridhar Krishna. “Trends in Audio Texture Analysis, Synthesis, and Applications.” Journal of Audio Engineering Society, vol.70, no.3, pp.108–127. March 2022.
(DOI: 10.17743/jaes.2021.0060 / sharma_umapathy_krishnan_202203.pdf)

後期

2022-10-03 伊藤 彰教
Aki Haapaniemi and Tapio Lokki. “Identifying concert halls from source presence vs room presence.” Journal of Acoustical Society of America, vol.135, no.6, pp.EL311–EL317. June 2014.
(DOI: 10.1121/1.4879671 / haapaniemi_lokki_201406.pdf)
2022-10-03 森永 実季
Thomas Robotham, Andreas Silzle, Anamaria Nastasa, Alan Pawlak, and Jürgen Herre. “Perceptual Evaluation of Interior Panning Algorithms Using Static Auditory Events.” Proceedings of 151st Convention, Audio Engineering Society. Online. October 2021.
(link / robotham_silzle_nastasa_pawlak_herre_202110.pdf)
2022-10-17 向谷 萌絵
Norman McLaren and William Jordan. “Notes on Animated Sound.” The Quarterly of Film Radio and Television, vol.7, no.3, pp.223–229. Spring 1953.
(link / mclaren_jordan_1953.pdf)
2022-10-17 永野 響介
Thomas Grill, Arthur Flexer, and Stuart Cunningham. “Identification of Perceptual Qualities in Textural Sounds using the Repertory Grid Method.” In AM '11: Proceedings of the 6th Audio Mostly Conference: A Conference on Interaction with Sound. Coimbra, Portugal. September 2011.
(DOI: 10.1145/2095667.2095677 / grill_flexer_cunningham_201109.pdf)
2022-10-31 井関 幸平
Kai Siedenburg, Simon Jacobsen, and Christoph Reuter. “Spectral Envelope Position and Shape in Sustained Musical Instrument Sounds.” Journal of the Acoustical Society of America, vol.149, no.6, pp.3715–3726. June 2021.
(DOI: 10.1121/10.0005088 / siedenburg_jacobsen_reuter_202106.pdf)
2022-10-31 佐野 稜
Nicholas R. Haywood, Jaime A. Undurraga, and David McAlpine. “The influence of envelope shape on the lateralization of amplitude-modulated, low-frequency sound.” Journal of the Acoustical Society of America, vol.149, no.5, pp.3133–3150. May 2021.
(DOI: 10.1121/10.0004788 / haywood_undurraga_mcalpine_202105.pdf)
2022-11-07 鈴木 和馬
Jiulin Zhang and Xiaoqing Fu. “The Influence of Background Music of Video Games on Immersion.” Journal of Psychology & Psychotherapy, vol.5, no.4. 2015.
(DOI: 10.4172/2161-0487.1000191 / zhang_fu_2015.pdf)
2022-11-07 徳永 芽久
Eve Klein. “Performing Nostalgia On Record: How Virtual Orchestras And YouTube Ensembles Have Problematised Classical Music.” Journal on the Art of Record Production, issue 9. March 2015.
(link / klein_201503.pdf)
2022-11-14 Fu Qi
Francis Rumsey. “Spatial Audio and Sensory Evaluation Techniques — Context, History and Aims.” In Proceedings of Spatial Audio and Sensory Evaluation Techniques Workshop. April 2006.
(link / rumsey_200604.pdf)
2022-11-14 福田 遼
Roger B. Dannenberg. “Time-Flow Concepts and Architectures For Music and Media Synchronization.” In Proceedings of the 43rd International Computer Music Conference, International Computer Music Association, pp.104–109. 2017.
(dannenberg_201710.pdf)
2022-11-21 Stuart McCowan
Bryan Pardo, David Little, and Darren Gergle. “Building a Personalized Audio Equalizer Interface with Transfer Learning and Active Learning.” In Proceedings of the 2nd International ACM Workshop on Music Information Retrieval with User-centered and Multimodal Strategies, MIRUM'12, pp.13–18. ACM. November 2012.
(doi: 10.1145/2390848.2390852 / pardo_little_gergle_2012.pdf)
2022-11-21 周 瀚濤
Kaushik Sunder and Kapil Jain. “Virtual Studio Production Tools with Personalized Head Related Transfer Functions for Mixing and Monitoring Dolby Atmos and Multichannel Sound.” In Proceedings of 152nd Convention, Audio Engineering Society. May 2022.
(link / sunder_jain_202205.pdf)
2022-11-28 伊藤 彰教
Antti Kuusinen and Tapio Lokki. “Auditory Distance Perception in Concert Halls and the Origins of Acoustic Intimacy.” Proceedings of the Institute of Acoustics, vol.37, pt.3, pp.151–158. Harrogate, England. October 2015.
(kuusinen_lokki_201510.pdf)
2022-11-28 森永 実季
G. Marentakis, F. Zotter, and M. Frank. “Vector-Base and Ambisonic Amplitude Panning: A Comparison Using Pop, Classical, and Contemporary Spatial Music.” Acta Acustica United with Acustica, vol.100, No.5, pp.945–955. September/October 2014.
(DOI: 10.3813/AAA.918774 / marentakis_zotter_frank_201409.pdf)
2022-12-05 向谷 萌絵
Roger Horrocks. “Len Lye's Film-Making: The Hand-made and the Digital.” Len Lye. 2009.
(horrocks_2009.pdf)
2022-12-05 永野 響介
John W. Gordon. “The Perceptual Attack Time of Musical Tones.” Journal of the Acoustical Society of America, vol.82, no.1, pp.88–105. July 1987.
(DOI: 10.1121/1.395441 / gordon_198707.pdf)
2022-12-12 井関 幸平
Erwin Schoonderwaldt, Matthias Demoucron, Eckart Altenmuüller, and Marc Leman. “Auditory Perception of Note Transitions in Simulated Complex Bowing Patterns.” Journal of the Acoustical Society of America, vol.133, no.6, pp.4311–4320. June 2013.
(DOI: 10.1121/1.4802635 / schoonderwaldt_demoucron_altenmuuller_leman_201306.pdf)
2022-12-12 佐野 稜
Saima L. Rajasingam, Robert J. Summers, and Brian Roberts. “The Dynamics of Auditory Stream Segregation: Effects of Sudden Changes in Frequency, Level, or Modulation” Journal of the Acoustical Society of America, vol.149, no.6, pp.3769–3784. June 2021.
(DOI: 10.1121/10.0005049 / rajasingam_summers_roberts_202106.pdf)


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